The Magician: Chapter 5

Chapter 5

Dr Porho�t had asked Arthur to bring Margaret and Miss Boyd to see him on
Sunday at his apartment in the �le Saint Louis; and the lovers arranged
to spend an hour on their way at the Louvre. Susie, invited to accompany
them, preferred independence and her own reflections.

To avoid the crowd which throngs the picture galleries on holidays,
they went to that part of the museum where ancient sculpture is kept. It
was comparatively empty, and the long halls had the singular restfulness
of places where works of art are gathered together. Margaret was filled
with a genuine emotion; and though she could not analyse it, as Susie,
who loved to dissect her state of mind, would have done, it strangely
exhilarated her. Her heart was uplifted from the sordidness of earth,
and she had a sensation of freedom which was as delightful as it was
indescribable. Arthur had never troubled himself with art till Margaret's
enthusiasm taught him that there was a side of life he did not realize.
Though beauty meant little to his practical nature, he sought, in his
great love for Margaret, to appreciate the works which excited her to
such charming ecstasy. He walked by her side with docility and listened,
not without deference, to her outbursts. He admired the correctness of
Greek anatomy, and there was one statue of an athlete which attracted
his prolonged attention, because the muscles were indicated with the
precision of a plate in a surgical textbook. When Margaret talked of the
Greeks' divine repose and of their blitheness, he thought it very clever
because she said it; but in a man it would have aroused his impatience.

Yet there was one piece, the charming statue known as _La Diane de
Gabies_, which moved him differently, and to this presently he insisted
on going. With a laugh Margaret remonstrated, but secretly she was not
displeased. She was aware that his passion for this figure was due, not
to its intrinsic beauty, but to a likeness he had discovered in it to
herself.

It stood in that fair wide gallery where is the mocking faun, with his
inhuman savour of fellowship with the earth which is divine, and the
sightless Homer. The goddess had not the arrogance of the huntress who
loved Endymion, nor the majesty of the cold mistress of the skies. She
was in the likeness of a young girl, and with collected gesture fastened
her cloak. There was nothing divine in her save a sweet strange spirit
of virginity. A lover in ancient Greece, who offered sacrifice before
this fair image, might forget easily that it was a goddess to whom he
knelt, and see only an earthly maid fresh with youth and chastity and
loveliness. In Arthur's eyes Margaret had all the exquisite grace of the
statue, and the same unconscious composure; and in her also breathed the
spring odours of ineffable purity. Her features were chiselled with
the clear and divine perfection of this Greek girl's; her ears were as
delicate and as finely wrought. The colour of her skin was so tender that
it reminded you vaguely of all beautiful soft things, the radiance of
sunset and the darkness of the night, the heart of roses and the depth of
running water. The goddess's hand was raised to her right shoulder, and
Margaret's hand was as small, as dainty, and as white.

'Don't be so foolish,' said she, as Arthur looked silently at the statue.

He turned his eyes slowly, and they rested upon her. She saw that they
were veiled with tears.

'What on earth's the matter?'

'I wish you weren't so beautiful,' he answered, awkwardly, as though he
could scarcely bring himself to say such foolish things. 'I'm so afraid
that something will happen to prevent us from being happy. It seems too
much to expect that I should enjoy such extraordinarily good luck.'

She had the imagination to see that it meant much for the practical man
so to express himself. Love of her drew him out of his character, and,
though he could not resist, he resented the effect it had on him. She
found nothing to reply, but she took his hand.

'Everything has gone pretty well with me so far,' he said, speaking
almost to himself. 'Whenever I've really wanted anything, I've managed to
get it. I don't see why things should go against me now.'

He was trying to reassure himself against an instinctive suspicion of the
malice of circumstances. But he shook himself and straightened his back.

'It's stupid to be so morbid as that,' he muttered.

Margaret laughed. They walked out of the gallery and turned to the quay.
By crossing the bridge and following the river, they must come eventually
to Dr. Porho�t's house.

* * * * *

Meanwhile Susie wandered down the Boulevard Saint Michel, alert with the
Sunday crowd, to that part of Paris which was dearest to her heart. L'�le
Saint Louis to her mind offered a synthesis of the French spirit, and it
pleased her far more than the garish boulevards in which the English as a
rule seek for the country's fascination. Its position on an island in
the Seine gave it a compact charm. The narrow streets, with their array
of dainty comestibles, had the look of streets in a provincial town. They
had a quaintness which appealed to the fancy, and they were very restful.
The names of the streets recalled the monarchy that passed away in
bloodshed, and in _poudre de riz_. The very plane trees had a greater
sobriety than elsewhere, as though conscious they stood in a Paris where
progress was not. In front was the turbid Seine, and below, the twin
towers of Notre Dame. Susie could have kissed the hard paving stones of
the quay. Her good-natured, plain face lit up as she realized the delight
of the scene upon which her eyes rested; and it was with a little pang,
her mind aglow with characters and events from history and from fiction,
that she turned away to enter Dr Porho�t's house.

She was pleased that the approach did not clash with her fantasies. She
mounted a broad staircase, dark but roomy, and, at the command of the
_concierge_, rang a tinkling bell at one of the doorways that faced her.
Dr Porho�t opened in person..

'Arthur and Mademoiselle are already here,' he said, as he led her in.

They went through a prim French dining-room, with much woodwork and heavy
scarlet hangings, to the library. This was a large room, but the
bookcases that lined the walls, and a large writing-table heaped up with
books, much diminished its size. There were books everywhere. They were
stacked on the floor and piled on every chair. There was hardly space to
move. Susie gave a cry of delight.

'Now you mustn't talk to me. I want to look at all your books.'

'You could not please me more,' said Dr Porho�t, 'but I am afraid they
will disappoint you. They are of many sorts, but I fear there are few
that will interest an English young lady.'

He looked about his writing-table till he found a packet of cigarettes.
He gravely offered one to each of his guests. Susie was enchanted with
the strange musty smell of the old books, and she took a first glance at
them in general. For the most part they were in paper bindings, some of
them neat enough, but more with broken backs and dingy edges; they were
set along the shelves in serried rows, untidily, without method or plan.
There were many older ones also in bindings of calf and pigskin, treasure
from half the bookshops in Europe; and there were huge folios like
Prussian grenadiers; and tiny Elzevirs, which had been read by patrician
ladies in Venice. Just as Arthur was a different man in the operating
theatre, Dr Porho�t was changed among his books. Though he preserved the
amiable serenity which made him always so attractive, he had there a
diverting brusqueness of demeanour which contrasted quaintly with his
usual calm.

'I was telling these young people, when you came in, of an ancient Kor�n
which I was given in Alexandria by a learned man whom I operated upon for
cataract.' He showed her a beautifully-written Arabic work, with
wonderful capitals and headlines in gold. 'You know that it is almost
impossible for an infidel to acquire the holy book, and this is a
particularly rare copy, for it was written by Ka�t Bey, the greatest of
the Mameluke Sultans.'

He handled the delicate pages as a lover of flowers would handle
rose-leaves.

'And have you much literature on the occult sciences?' asked Susie.

Dr Porho�t smiled.

'I venture to think that no private library contains so complete a
collection, but I dare not show it to you in the presence of our friend
Arthur. He is too polite to accuse me of foolishness, but his sarcastic
smile would betray him.'

Susie went to the shelves to which he vaguely waved, and looked with a
peculiar excitement at the mysterious array. She ran her eyes along the
names. It seemed to her that she was entering upon an unknown region of
romance. She felt like an adventurous princess who rode on her palfrey
into a forest of great bare trees and mystic silences, where wan,
unearthly shapes pressed upon her way.

'I thought once of writing a life of that fantastic and grandiloquent
creature, Philippus Aureolus Theophrastus Paracelsus Bombast von
Hohenheim,' said Dr Porho�t, 'and I have collected many of his books.'

He took down a slim volume in duodecimo, printed in the seventeenth
century, with queer plates, on which were all manner of cabbalistic
signs. The pages had a peculiar, musty odour. They were stained with
iron-mould.

'Here is one of the most interesting works concerning the black art.
It is the _Grimoire of Honorius_, and is the principal text-book of all
those who deal in the darkest ways of the science.'

Then he pointed out the _Hexameron_ of Torquemada and the _Tableau de
l'Inconstance des D�mons_, by Delancre; he drew his finger down the
leather back of Delrio's _Disquisitiones Magicae_ and set upright the
_Pseudomonarchia Daemonorum_ of Wierus; his eyes rested for an instant on
Hauber's _Acta et Scripta Magica_, and he blew the dust carefully off the
most famous, the most infamous, of them all, Sprenger's _Malleus
Malefikorum_.

'Here is one of my greatest treasures. It is the _Clavicula Salomonis_;
and I have much reason to believe that it is the identical copy which
belonged to the greatest adventurer of the eighteenth century, Jacques
Casanova. You will see that the owner's name had been cut out, but enough
remains to indicate the bottom of the letters; and these correspond
exactly with the signature of Casanova which I have found at the
Biblioth�que Nationale. He relates in his memoirs that a copy of this
book was seized among his effects when he was arrested in Venice for
traffic in the black arts; and it was there, on one of my journeys from
Alexandria, that I picked it up.'

He replaced the precious work, and his eye fell on a stout volume bound
in vellum.

'I had almost forgotten the most wonderful, the most mysterious, of all
the books that treat of occult science. You have heard of the Kabbalah,
but I doubt if it is more than a name to you.'

'I know nothing about it at all,' laughed Susie, 'except that it's all
very romantic and extraordinary and ridiculous.'

'This, then, is its history. Moses, who was learned in all the wisdom of
Egypt, was first initiated into the Kabbalah in the land of his birth;
but became most proficient in it during his wanderings in the wilderness.
Here he not only devoted the leisure hours of forty years to this
mysterious science, but received lessons in it from an obliging angel. By
aid of it he was able to solve the difficulties which arose during his
management of the Israelites, notwithstanding the pilgrimages, wars, and
miseries of that most unruly nation. He covertly laid down the principles
of the doctrine in the first four books of the Pentateuch, but withheld
them from Deuteronomy. Moses also initiated the Seventy Elders into these
secrets, and they in turn transmitted them from hand to hand. Of all who
formed the unbroken line of tradition, David and Solomon were the most
deeply learned in the Kabbalah. No one, however, dared to write it down
till Schimeon ben Jochai, who lived in the time of the destruction of
Jerusalem; and after his death the Rabbi Eleazar, his son, and the Rabbi
Abba, his secretary, collected his manuscripts and from them composed the
celebrated treatise called _Zohar_.'

'And how much do you believe of this marvellous story?' asked Arthur
Burdon.

'Not a word,' answered Dr Porho�t, with a smile. 'Criticism has shown
that _Zohar_ is of modern origin. With singular effrontery, it cites an
author who is known to have lived during the eleventh century, mentions
the Crusades, and records events which occurred in the year of Our Lord
1264. It was some time before 1291 that copies of _Zohar_ began to be
circulated by a Spanish Jew named Moses de Leon, who claimed to possess
an autograph manuscript by the reputed author Schimeon ben Jochai. But
when Moses de Leon was gathered to the bosom of his father Abraham, a
wealthy Hebrew, Joseph de Avila, promised the scribe's widow, who had
been left destitute, that his son should marry her daughter, to whom
he would pay a handsome dowry, if she would give him the original
manuscript from which these copies were made. But the widow (one can
imagine with what gnashing of teeth) was obliged to confess that she had
no such manuscript, for Moses de Leon had composed _Zohar_ out of his own
head, and written it with his own right hand.'

Arthur got up to stretch his legs. He gave a laugh.

'I never know how much you really believe of all these things you tell
us. You speak with such gravity that we are all taken in, and then it
turns out that you've been laughing at us.'

'My dear friend, I never know myself how much I believe,' returned Dr
Porho�t.

'I wonder if it is for the same reason that Mr Haddo puzzles us so much,'
said Susie.

'Ah, there you have a case that is really interesting,' replied the
doctor. 'I assure you that, though I know him fairly intimately, I have
never been able to make up my mind whether he is an elaborate practical
joker, or whether he is really convinced he has the wonderful powers to
which he lays claim.'

'We certainly saw things last night that were not quite normal,' said
Susie. 'Why had that serpent no effect on him though it was able to kill
the rabbit instantaneously? And how are you going to explain the violent
trembling of that horse, Mr. Burdon?'

'I can't explain it,' answered Arthur, irritably, 'but I'm not inclined
to attribute to the supernatural everything that I can't immediately
understand.'

'I don't know what there is about him that excites in me a sort of
horror,' said Margaret. 'I've never taken such a sudden dislike to
anyone.'

She was too reticent to say all she felt, but she had been strangely
affected last night by the recollection of Haddo's words and of his acts.
She had awakened more than once from a nightmare in which he assumed
fantastic and ghastly shapes. His mocking voice rang in her ears, and she
seemed still to see that vast bulk and the savage, sensual face. It was
like a spirit of evil in her path, and she was curiously alarmed. Only
her reliance on Arthur's common sense prevented her from giving way to
ridiculous terrors.

'I've written to Frank Hurrell and asked him to tell me all he knows
about him,' said Arthur. 'I should get an answer very soon.'

'I wish we'd never come across him,' cried Margaret vehemently. 'I feel
that he will bring us misfortune.'

'You're all of you absurdly prejudiced,' answered Susie gaily. 'He
interests me enormously, and I mean to ask him to tea at the studio.'

'I'm sure I shall be delighted to come.'

Margaret cried out, for she recognized Oliver Haddo's deep bantering
tones; and she turned round quickly. They were all so taken aback that
for a moment no one spoke. They were gathered round the window and had
not heard him come in. They wondered guiltily how long he had been there
and how much he had heard.

'How on earth did you get here?' cried Susie lightly, recovering herself
first.

'No well-bred sorcerer is so dead to the finer feelings as to enter a
room by the door,' he answered, with his puzzling smile. 'You were
standing round the window, and I thought it would startle you if I chose
that mode of ingress, so I descended with incredible skill down the
chimney.'

'I see a little soot on your left elbow,' returned Susie. 'I hope you
weren't at all burned.'

'Not at all, thanks,' he answered, gravely brushing his coat.

'In whatever way you came, you are very welcome,' said Dr Porho�t,
genially holding out his hand.

But Arthur impatiently turned to his host.

'I wish I knew what made you engage upon these studies,' he said. 'I
should have thought your medical profession protected you from any
tenderness towards superstition.'

Dr Porho�t shrugged his shoulders.

'I have always been interested in the oddities of mankind. At one time
I read a good deal of philosophy and a good deal of science, and I
learned in that way that nothing was certain. Some people, by the pursuit
of science, are impressed with the dignity of man, but I was only made
conscious of his insignificance. The greatest questions of all have been
threshed out since he acquired the beginnings of civilization and he
is as far from a solution as ever. Man can know nothing, for his senses
are his only means of knowledge, and they can give no certainty. There is
only one subject upon which the individual can speak with authority, and
that is his own mind, but even here he is surrounded with darkness. I
believe that we shall always be ignorant of the matters which it most
behoves us to know, and therefore I cannot occupy myself with them. I
prefer to set them all aside, and, since knowledge is unattainable, to
occupy myself only with folly.'

'It is a point of view I do not sympathize with,' said Arthur.

'Yet I cannot be sure that it is all folly,' pursued the Frenchman
reflectively. He looked at Arthur with a certain ironic gravity. 'Do
you believe that I should lie to you when I promised to speak the truth?'

'Certainly not.'

'I should like to tell you of an experience that I once had in
Alexandria. So far as I can see, it can be explained by none of the
principles known to science. I ask you only to believe that I am not
consciously deceiving you.'

He spoke with a seriousness which gave authority to his words. It was
plain, even to Arthur, that he narrated the event exactly as it occurred.

'I had heard frequently of a certain shiekh who was able by means of a
magic mirror to show the inquirer persons who were absent or dead, and a
native friend of mine had often begged me to see him. I had never thought
it worth while, but at last a time came when I was greatly troubled in
my mind. My poor mother was an old woman, a widow, and I had received no
news of her for many weeks. Though I wrote repeatedly, no answer reached
me. I was very anxious and very unhappy. I thought no harm could come if
I sent for the sorcerer, and perhaps after all he had the power which
was attributed to him. My friend, who was interpreter to the French
Consulate, brought him to me one evening. He was a fine man, tall and
stout, of a fair complexion, but with a dark brown beard. He was shabbily
dressed, and, being a descendant of the Prophet, wore a green turban. In
his conversation he was affable and unaffected. I asked him what persons
could see in the magic mirror, and he said they were a boy not arrived at
puberty, a virgin, a black female slave, and a pregnant woman. In order
to make sure that there was no collusion, I despatched my servant to an
intimate friend and asked him to send me his son. While we waited, I
prepared by the magician's direction frankincense and coriander-seed,
and a chafing-dish with live charcoal. Meanwhile, he wrote forms of
invocation on six strips of paper. When the boy arrived, the sorcerer
threw incense and one of the paper strips into the chafing-dish, then
took the boy's right hand and drew a square and certain mystical marks on
the palm. In the centre of the square he poured a little ink. This formed
the magic mirror. He desired the boy to look steadily into it without
raising his head. The fumes of the incense filled the room with smoke.
The sorcerer muttered Arabic words, indistinctly, and this he continued
to do all the time except when he asked the boy a question.

'"Do you see anything in the ink?" he said.

'"No," the boy answered.

'But a minute later, he began to tremble and seemed very much frightened.

'"I see a man sweeping the ground," he said.

'"When he has done sweeping, tell me," said the sheikh.

'"He has done," said the boy.

'The sorcerer turned to me and asked who it was that I wished the boy
should see.

'"I desire to see the widow Jeanne-Marie Porho�t."

'The magician put the second and third of the small strips of paper into
the chafing-dish, and fresh frankincense was added. The fumes were
painful to my eyes. The boy began to speak.

'"I see an old woman lying on a bed. She has a black dress, and on her
head is a little white cap. She has a wrinkled face and her eyes are
closed. There is a band tied round her chin. The bed is in a sort of
hole, in the wall, and there are shutters to it."

The boy was describing a Breton bed, and the white cap was the _coiffe_
that my mother wore. And if she lay there in her black dress, with a band
about her chin, I knew that it could mean but one thing.

'"What else does he see?" I asked the sorcerer.

'He repeated my question, and presently the boy spoke again.

'"I see four men come in with a long box. And there are women crying.
They all wear little white caps and black dresses. And I see a man in a
white surplice, with a large cross in his hands, and a little boy in a
long red gown. And the men take off their hats. And now everyone is
kneeling down."

'"I will hear no more," I said. "It is enough."

'I knew that my mother was dead.

'In a little while, I received a letter from the priest of the village in
which she lived. They had buried her on the very day upon which the boy
had seen this sight in the mirror of ink.'

Dr Porho�t passed his hand across his eyes, and for a little while there
was silence.

'What have you to say to that?' asked Oliver Haddo, at last.

'Nothing,' answered Arthur.

Haddo looked at him for a minute with those queer eyes of his which
seemed to stare at the wall behind.

'Have you ever heard of Eliphas Levi?' he inquired. 'He is the most
celebrated occultist of recent years. He is thought to have known more
of the mysteries than any adept since the divine Paracelsus.'

'I met him once,' interrupted Dr Porho�t. 'You never saw a man who looked
less like a magician. His face beamed with good-nature, and he wore a
long grey beard, which covered nearly the whole of his breast. He was of
a short and very corpulent figure.'

'The practice of black arts evidently disposes to obesity,' said Arthur,
icily.

Susie noticed that this time Oliver Haddo made no sign that the taunt
moved him. His unwinking, straight eyes remained upon Arthur without
expression.

'Levi's real name was Alphonse-Louis Constant, but he adopted that under
which he is generally known for reasons that are plain to the romantic
mind. His father was a bootmaker. He was destined for the priesthood, but
fell in love with a damsel fair and married her. The union was unhappy.
A fate befell him which has been the lot of greater men than he, and his
wife presently abandoned the marital roof with her lover. To console
himself he began to make serious researches in the occult, and in due
course published a vast number of mystical works dealing with magic in
all its branches.'

'I'm sure Mr Haddo was going to tell us something very interesting about
him,' said Susie.

'I wished merely to give you his account of how he raised the spirit of
Apollonius of Tyana in London.'

Susie settled herself more comfortably in her chair and lit a cigarette.

'He went there in the spring of 1856 to escape from internal disquietude
and to devote himself without distraction to his studies. He had letters
of introduction to various persons of distinction who concerned
themselves with the supernatural, but, finding them trivial and
indifferent, he immersed himself in the study of the supreme Kabbalah.
One day, on returning to his hotel, he found a note in his room. It
contained half a card, transversely divided, on which he at once
recognized the character of Solomon's Seal, and a tiny slip of paper on
which was written in pencil: _The other half of this card will be given
you at three o'clock tomorrow in front of Westminster Abbey_. Next day,
going to the appointed spot, with his portion of the card in his hand, he
found a baronial equipage waiting for him. A footman approached, and,
making a sign to him, opened the carriage door. Within was a lady in
black satin, whose face was concealed by a thick veil. She motioned him
to a seat beside her, and at the same time displayed the other part of
the card he had received. The door was shut, and the carriage rolled
away. When the lady raised her veil, Eliphas Levi saw that she was of
mature age; and beneath her grey eyebrows were bright black eyes of
preternatural fixity.'

Susie Boyd clapped her hands with delight.

'I think it's delicious, and I'm sure every word of it is true,' she
cried. 'I'm enchanted with the mysterious meeting at Westminster Abbey
in the Mid-Victorian era. Can't you see the elderly lady in a huge
crinoline and a black poke bonnet, and the wizard in a ridiculous hat,
a bottle-green frock-coat, and a flowing tie of black silk?'

'Eliphas remarks that the lady spoke French with a marked English
accent,' pursued Haddo imperturbably. 'She addressed him as follows:
"Sir, I am aware that the law of secrecy is rigorous among adepts; and I
know that you have been asked for phenomena, but have declined to gratify
a frivolous curiosity. It is possible that you do not possess the
necessary materials. I can show you a complete magical cabinet, but I
must require of you first the most inviolable silence. If you do not
guarantee this on your honour, I will give the order for you to be driven
home."'

Oliver Haddo told his story not ineffectively, but with a comic gravity
that prevented one from knowing exactly how to take it.

'Having given the required promise Eliphas Levi was shown a collection of
vestments and of magical instruments. The lady lent him certain books of
which he was in need; and at last, as a result of many conversations,
determined him to attempt at her house the experience of a complete
evocation. He prepared himself for twenty-one days, scrupulously
observing the rules laid down by the Ritual. At length everything
was ready. It was proposed to call forth the phantom of the divine
Apollonius, and to question it upon two matters, one of which concerned
Eliphas Levi and the other, the lady of the crinoline. She had at first
counted on assisting at the evocation with a trustworthy person, but at
the last moment her friend drew back; and as the triad or unity is
rigorously prescribed in magical rites, Eliphas was left alone. The
cabinet prepared for the experiment was situated in a turret. Four
concave mirrors were hung within it, and there was an altar of white
marble, surrounded by a chain of magnetic iron. On it was engraved
the sign of the Pentagram, and this symbol was drawn on the new, white
sheepskin which was stretched beneath. A copper brazier stood on the
altar, with charcoal of alder and of laurel wood, and in front a second
brazier was placed upon a tripod. Eliphas Levi was clothed in a white
robe, longer and more ample than the surplice of a priest, and he wore
upon his head a chaplet of vervain leaves entwined about a golden chain.
In one hand he held a new sword and in the other the Ritual.'

Susie's passion for caricature at once asserted itself, and she laughed
as she saw in fancy the portly little Frenchman, with his round, red
face, thus wonderfully attired.

'He set alight the two fires with the prepared materials, and began, at
first in a low voice, but rising by degrees, the invocations of the
Ritual. The flames invested every object with a wavering light. Presently
they went out. He set more twigs and perfumes on the brazier, and when
the flame started up once more, he saw distinctly before the altar a
human figure larger than life, which dissolved and disappeared. He began
the invocations again and placed himself in a circle, which he had
already traced between the altar and the tripod. Then the depth of the
mirror which was in front of him grew brighter by degrees, and a pale
form arose, and it seemed gradually to approach. He closed his eyes, and
called three times upon Apollonius. When he opened them, a man stood
before him, wholly enveloped in a winding sheet, which seemed more grey
than black. His form was lean, melancholy, and beardless. Eliphas felt an
intense cold, and when he sought to ask his questions found it impossible
to speak. Thereupon, he placed his hand on the Pentagram, and directed
the point of his sword toward the figure, adjuring it mentally by that
sign not to terrify, but to obey him. The form suddenly grew indistinct
and soon it strangely vanished. He commanded it to return, and then felt,
as it were, an air pass by him; and, something having touched the hand
which held the sword, his arm was immediately benumbed as far as the
shoulder. He supposed that the weapon displeased the spirit, and set it
down within the circle. The human figure at once reappeared, but Eliphas
experienced such a sudden exhaustion in all his limbs that he was obliged
to sit down. He fell into a deep coma, and dreamed strange dreams. But of
these, when he recovered, only a vague memory remained to him. His arm
continued for several days to be numb and painful. The figure had not
spoken, but it seemed to Eliphas Levi that the questions were answered in
his own mind. For to each an inner voice replied with one grim word:
dead.'

'Your friend seems to have had as little fear of spooks as you have
of lions,' said Burdon. 'To my thinking it is plain that all these
preparations, and the perfumes, the mirrors, the pentagrams, must have
the greatest effect on the imagination. My only surprise is that your
magician saw no more.'

'Eliphas Levi talked to me himself of this evocation,' said Dr Porho�t.
'He told me that its influence on him was very great. He was no longer
the same man, for it seemed to him that something from the world beyond
had passed into his soul.'

'I am astonished that you should never have tried such an interesting
experiment yourself,' said Arthur to Oliver Haddo.

'I have,' answered the other calmly. 'My father lost his power of speech
shortly before he died, and it was plain that he sought with all his
might to tell me something. A year after his death, I called up his
phantom from the grave so that I might learn what I took to be a dying
wish. The circumstances of the apparition are so similar to those I have
just told you that it would only bore you if I repeated them. The only
difference was that my father actually spoke.'

'What did he say?' asked Susie.

'He said solemnly: "_Buy Ashantis, they are bound to go up._"

'I did as he told me; but my father was always unlucky in speculation,
and they went down steadily. I sold out at considerable loss, and
concluded that in the world beyond they are as ignorant of the tendency
of the Stock Exchange as we are in this vale of sorrow.'

Susie could not help laughing. But Arthur shrugged his shoulders
impatiently. It disturbed his practical mind never to be certain if
Haddo was serious, or if, as now, he was plainly making game of them.

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