Idolatry: Chapter 1

Chapter 1

(_underscores_ denote italics)

THE ENCHANTED RING.

One of the most imposing buildings in Boston twenty years ago was a
granite hotel, whose western windows looked upon a graveyard. Passing
up a flight of steps, and beneath a portico of dignified granite
columns, and so through an embarrassing pair of swinging-doors to the
roomy vestibule,--you would there pause a moment to spit upon the
black-and-white tessellated pavement. Having thus asserted your title
to Puritan ancestry, and to the best accommodations the house
afforded, you would approach the desk and write your name in the hotel
register. This done, you would be apt to run your eye over the last
dozen arrivals, on the chance of lighting upon the autograph of some
acquaintance, to be shunned or sought according to circumstances.

Let us suppose, for the story's sake, that such was the gentle
reader's behavior on a certain night during the latter part of May,
in the year eighteen hundred and fifty-three. If now he will turn to
the ninety-ninth page of the register above mentioned, he will remark
that the last name thereon written is, "Doctor Hiero Glyphic. Room
27." The natural inference is that, unless so odd a name be an assumed
one, Doctor Glyphic occupies that room. Passing on to page one
hundred, he will find the first entry reads as follows "Balder
Helwyse, Cosmopolis. Room 29."

In no trifling mood do we call attention to these two names, and,
above all, to their relative position in the book. Had they both
appeared upon the same page, this romance might never have been
written. On such seemingly frail pegs hang consequences the most
weighty. Because Doctor Glyphic preferred the humble foot of the
ninety-ninth page to the trouble of turning to a leading position on
the one hundredth; because Mr. Helwyse, having begun the one hundredth
page, was too incurious to find out who was his next-door neighbor on
the ninety-ninth, ensued unparalleled adventures, and this account of
them.

Our present purpose, by the reader's leave, and in his company, is to
violate Doctor Hiero Glyphic's retirement, as he lies asleep in bed.
Nor shall we stop at his bedside; we mean to penetrate deep into the
darksome caves of his memory, and to drag forth thence sundry
odd-looking secrets, which shall blink and look strangely in the
light of discovery;--little thought their keeper that our eyes should
ever behold them! Yet will he not resent our, intrusion; it is twenty
years ago,--and he lies asleep.

Two o'clock sounds from the neighboring steeple of the Old South
Church, as we noiselessly enter the chamber,--noiselessly, for the
hush of the past is about us. We scarcely distinguish anything at
first; the moon has set on the other side of the hotel, and perhaps,
too, some of the dimness of those twenty intervening years affects our
eyesight. By degrees, however, objects begin to define themselves; the
bed shows doubtfully white, and that dark blot upon the pillow must be
the face of our sleeping man. It is turned towards the window; the
mouth is open; probably the good Doctor is snoring, albeit, across
this distance of time, the sound fails to reach us.

The room is as bare, square, and characterless as other hotel rooms;
nevertheless, its occupant may have left a hint or two of himself
about, which would be of use to us. There are no trunks or other
luggage; evidently he will be on his way again to-morrow. The window
is shut, although the night is warm and clear. The door is carefully
locked. The Doctor's garments, which appear to be of rather a jaunty
and knowing cut, are lying disorderly about, on chair, table, or
floor. He carries no watch; but under his pillow we see protruding
the corner of a great leathern pocket-book, which might contain a
fortune in bank-notes.

A couple of chairs are drawn up to the bedside, upon one of which
stands a blown-out candle; the other supports an oblong, coffin-shaped
box, narrower at one end than at the other, and painted black. Too
small for a coffin, however; no human corpse, at least, is contained
in it. But the frame that lies so quiet and motionless here, thrills,
when awaked to life, with a soul only less marvellous than man's. In
short, the coffin is a violin-case, and the mysterious frame the
violin. The Doctor must have been fiddling overnight, after getting
into bed; to the dissatisfaction, perhaps, of his neighbor on the
other side of the partition.

Little else in the room is worthy notice, unless it be the pocket-comb
which has escaped from the Doctor's waistcoat, and the shaving
materials (also pocketable) upon the wash-stand. Apparently our friend
does not stand upon much toilet ceremony. The room has nothing more of
significance to say to us; so now we come to the room's occupant. Our
eyes have got enough accustomed to the imperfect light to discern what
manner of man he may be.

Barely middle-aged; or, at a second glance, he might be fifteen to
twenty-five years older. His face retains the form of youth, yet wears
a subtile shadow which we feel might be consistent even with extreme
old age. The forehead is wide and low, supported by regular eyebrows;
the face beneath long and narrow, of a dark and dry complexion. In
sleep, open-mouthed, the expression is rather inane; though we can
readily imagine the waking face to be not devoid of a certain
intensity and comeliness of aspect, marred, however, by an air of
guarded anxiety which is apparent even now.

We prattle of the dead past, and use to fancy that peace must dwell
there, if nothing else. Only in the past, say we, is security from
jostle, danger, and disturbance; who would live at his ease must
number his days backwards; no charm so potent as the years, if read
from right to left. Living in the past, prophecy and memory are at
one; care for the future can harass no man. Throw overboard that
Jonah, Time, and the winds of fortune shall cease to buffet us. And
more to the same effect.

And yet it is not so. The past, if more real than the future, is no
less so than the present; the pain of a broken heart or head is never
annihilated, but becomes part and parcel of eternity. This uneasy
snorer here, for instance: his earthly troubles have been over years
ago, yet, as our fancy sees him, he is none the calmer or the happier
for that. Observe him, how he mumbles inarticulately, and makes
strengthless clutchings at the blanket with his long, slender fingers.

But we delay too long over the external man, seeing that our avowed
business is with the internal. A sleeping man is truly a helpless
creature. They say that, if you take his hand in yours and ask him
questions, he has no other choice than to answer--or to awake. The
Doctor--as we know by virtue of the prophetic advantages just remarked
upon--will stay asleep for some hours yet. Or, if you are clairvoyant,
you have but to fall in a trance, and lay a hand on his forehead, and
you may read off his thoughts,--provided he does his thinking in his
head. But the world is growing too wise, nowadays, to put faith in old
woman's nonsense like this. Again, there is--or used to be--an odd
theory that all matter is a sort of photographic plate, whereon is
registered, had we but eyes to read it, the complete history of
itself. What an invaluable pair of eyes were that! In vain, arraigned
before them, would the criminal deny his guilt, the lover the soft
impeachment. The whole scene would stand forth, photographed in fatal
minuteness and indelibility upon face, hands, coat-sleeve,
shirt-bosom. Mankind would be its own book of life, written in the
primal hieroglyphic character,--the language understood by all. Vocal
conversation would become obsolete, unless among a few superior
persons able to discuss abstract ideas.

We speak of these things only to smile at them; far be it from us to
insult the reader's understanding by asking him to regard them
seriously. But story-tellers labor under one disadvantage which is
peculiar to their profession,--the necessity of omniscience. This
tends to make them top arbitrary, leads them to disregard the modesty
of nature and the harmonies of reason in their methods. They will
pretend to know things which they never could have seen or heard of,
and for the truth of which they bring forward no evidence; thus
forcing the reader to reject, as lacking proper confirmation, what he
would else, from its inherent grace or sprightliness, be happy to
accept.

That we shall be free from this reproach is rather our good fortune
than our merit. It is by favor of our stars, not by virtue of our own,
that we turn not aside from the plain path of truth to the by-ways of
supernaturalism and improbability. Yet we refrain with difficulty from
a breath of self-praise; there is a proud and solid satisfaction in
holding an unassailable position could we but catch the world's eye,
we would meet it calmly!

Let us hasten to introduce our talisman. You may see it at this very
moment, encircling the third finger of Doctor Glyphic's left hand; in
fact, it is neither more nor less than a quaint diamond ring. The
stone, though not surprisingly large, is surpassingly pure and
brilliant; as its keen, delicate ray sparkles on the eye, one marvels
whence, in the dead of night, it got together so much celestial fire.
Observe the setting; the design is unique. Two fairy serpents--one
golden, the other fashioned from black meteoric iron--are intertwined
along their entire length, forming the hoop of the ring. Their heads
approach the diamond from opposite sides, and each makes a mighty bite
at it with his tiny jaws, studded with sharp little teeth. Thus their
contest holds the stone firmly in place. The whole forms a pretty
symbol of the human soul, battled for by the good and the evil
principles. But the diamond seems, in its entirety, to be an awkward
mouthful for either. The snakes are wrought with marvellous dexterity
and finish; each separate scale is distinguishable upon their
glistening bodies, the wrinkling of the skin in the coils, the
sparkling points of eyes, and the minute nostrils. Such works of art
are not made nowadays; the ring is an antique,--a relic of an age when
skill was out of all proportion to liberty,--a very distant time
indeed. To deserve such a setting, the stone must have exceptional
qualities. Let us take a closer look at it.

Fortunately, its own lustre makes it visible in every part; the
minuteness of our scrutiny need be limited only by our power of eye.
It is cut with many facets,--twenty-seven, if you choose to count
them; perhaps (though we little credit such fantasies) some mystic
significance may be intended in this number. Concentrating now our
attention upon any single facet, we see--either inscribed upon its
surface, or showing through from the interior of the stone--a sort of
monogram, or intricately designed character, not unlike the mysterious
Chinese letters on tea-chests. Every facet has a similar figure,
though no two are identical. But the central, the twenty-seventh
facet, which is larger than the others, has an important peculiarity.
Looking upon it, we find therein, concentrated and commingled, the
other twenty-six characters; which, separately unintelligible, form,
when thus united, a simple and consistent narrative, equivalent in
extent to many hundred printed pages, and having for subject nothing
less than the complete history of the ring itself.

Some small portion of this narrative--that, namely, which relates more
particularly to the present wearer of the ring--we will glance at; the
rest must be silence, although, going back as it does to the earliest
records of the human race, many an interesting page must be skipped
perforce.

The advantages to a historian of a medium such as this are too patent
to need pointing out. Pretension and conjecture will be avoided,
because unnecessary. The most trifling thought or deed of any person
connected with the history of the ring is laid open to direct
inspection. Were there more such talismans as this, the profession of
authorship would become no less easy than delightful, and criticism
would sting itself to death, in despair of better prey. So far as is
known, however, the enchanted ring is unique of its kind, and, such as
it is, is not likely to become common property.

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